Gina Binkley Brings Her Photography to the Forefront

REV4914 3 Born in the sunny southern U.S., illustrator and designer Gina Binkley is the granddaughter of two tobacco farmers. Her rural upbringing nurtured her interests in folk art, quilting, antiques and animals. She uses these passions from her early years as inspiration for her work today.

-9870lo Gina has created photographic assemblages and still life collage for many publications including the New York Times, Time Out NY, Harvard Business Review, Fast Co and the Chicago Tribune. She has also provided conceptual images for many book covers. Her assignments and commissions for assemblage and still life has inspired her further foray into commercial photography assignments. She retains a keen interest in photographing objects but her love of portraits and place as well as beauty and romanticism has set the course for the next phase of her photographic work.  To see more of Gina’s work go to her website and Altpick page.

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About altpick connects

Established in 1991, The Alternative Pick commenced with a clear mission, providing creative buyers with a vehicle to source the best brightest and most exciting illustrators, photographers, graphic designers and animators in the business. The Alternative Pick sourcebook (1992-2005) became the outlet for cutting-edge commercial talent, offering a unique platform for artists to showcase their work. The Alternative Pick Deck (2009-2012) offered a fun and engaging format for locating leading commercial artists. In addition, The Altpick Awards (2003-2011) introduced yet another way to provide a platform for talents to shine. o meet the demands of an ever-changing industry, altpick.com was launched in 1996 and presently provides a vehicle for talent to utilize the web to connect more effectively with buyers. As we mark our 30th anniversary in 2021, Altpick remains a premier source for creative professionals and we plan to continue to push the envelope providing the best vehicle for buyers to connect with creative talent.
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