Keith Barraclough Explores Life of Dogs Through The Lens

Over the years Photographer Keith Barraclough built a strong relationship with the art directors and art buyers at Discovery through his marketing and promotional efforts.

Chinese SharPei

One of the major influences in getting the “Dog” assignment with Discovery was Keith had some insider information.  He knew one of the art directors owned two black labs.  “I offered to take some fun and arty photos of them at my DC studio (black labs on a black seamless.) The objective was to show her, and others at Discovery, that I could take great photos not only of people but also of animals.”  Needless to say, the shoot went extremely well.  A few years later Keith received a call from Animal Planet to photograph dogs for an AKC dog competition poster campaign.

Just goes to show you that being consistent with promotions really works.  Keith also felt that relocating from DC to NYC played a small role in getting the assignment.   “Thankfully, I was asked to shoot three more assignments for Discovery, which eventually led him to the “dog breed assignment”.

Ibizan Hound

Beth Caldwell, Animal Planet’s online photo editor, envisioned the ‘dog breed’ shoot about two years ago. The assignment was to take portraits of all 164 sanctioned AKC dog breeds. The main goal of the assignment was to change the look and feel of the dog images on Animal Planet’s online breed selector with new images of each breed that better represent their tagline “Animal Planet – Surprising Human.” It took Beth about two years to convince Discovery to change the images; about eight months ago she got permission to move forward and asked Keith if he would like to be a part of the project.

Kerry Blue Terrier

It took another four months and countless meetings to get a budget approved and to finalize the concept. Once that was in place, the search to find a dog show where most of the breeds would be present began.  After an extensive search they found a five-day competition in Virginia in early August that met their needs.

“I pretty much had creative license to do anything I wanted.”, Keith commented. “I knew the concept was to photograph the dogs’ personalities, but how I did that was completely up to me. I expected this to be challenging, but I didn’t anticipate how difficult it would be to get the dog owners and handlers to agree to have their dogs photographed.”

Komondor

There were plenty of other challenges.  Finding a Labrador retriever or a German Shepherd was fairly easy. The rare dogs (eg: an Xolo or Puli) were obviously more difficult. But, with the help of countless dog owners and handlers who knew many key dog owners, Keith and crew were able to photograph many more than they would have doing this alone.

“The most challenging aspect, however, was taking the photos. The smaller breeds had so much energy they wouldn’t sit still; some of the larger ones had their own challenges keeping focused or becoming skittish when the strobes fired. Trying to make all the breeds look attentive with personality took time and patience. Since we only had a few minutes with each, every shot counted. We came up with many “inventive” ways to get the dogs to sit still or to have them look in a certain direction (e.g. squeaky toys, throwing food in a certain direction or having a dog in heat on the set – yes we really did that)!”

“Having knowledge of what you are shooting is always key to a successful shoot and owning a dog certainly helped a lot in this case. Understanding how dogs think and react in certain situations helps. Also, having a lot of patience helps!”

Lhasa Apso

There were many funny moments on set.  Keith compares some of those with the movie “Best In Show”!  “One particularly funny instance happened when we were photographing a male Miniature Pinscher that would not sit still and focus. Another owner had a female Pinscher wrapped in a towel (at the time, I wasn’t sure what the towel was for.) The owner sat next to me holding out her dog towards the male on set. The male dog immediately stopped jumping around and focused on the female. The owner yelled, repeatedly, “Look, we’re teasing him with the bitch!” The female was in heat: hence the towel. She repeated it numerous times, right in my ear. Amazingly, this worked and I got many great images of a very attentive and expressive dog!”

More often than not, it was the owners who were the funniest. Ranging from obsessive compulsive to nonchalant, they kept the crew very entertained with brushing and grooming and endless stories about their dogs.

Initially Keith did not become a photographer to shoot animals, he was a people shooter. He had photograph animals, but it was not the bulk of his work. In the past year, since he began shooting more for Animal Planet, it’s a niche he has become more comfortable with and enjoying the new experience.

Xolo

Never wanting to be working at a desk, Keith’s really enjoys learning new things everyday.  Photography allows him to explore new possibilities.  “In one week I can take photos of a celebrity, dog breeds, and then travel to Chicago to shoot for my stock archive. All the while, I am learning about someone, what kind of characteristics are in a certain dog breed or the specific architectural style of a city.”

The multi-talented Keith Barraclough explores life through his camera.

To see more of Keith’s work go to his website and Altpick page.

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TWO BIRDS Fundraiser -Keeping Kids Warm This Winter

It’s very simple—parents want a nice photo of their kids for their holiday card and less-fortunate children need coats to keep them warm through the Winter. So, every Fall some of Boston’s top wardrobe stylists and groomers join me in a holiday card fundraiser—one day, eight professional photo shoots. The week leading up to the shoot parents bid on one of the eight time slots. A studio space is donated, lighting equipment is donated, volunteers and assistants offer up their day. A photography community comes together for a great cause.

One cool part is that the stylists find out in advance who the families are, they see photographs of the kids, get their sizes, and then go shopping for clothes to fit those children specifically. It’s so great! All we try to do is have fun and make the kids feel like rock stars! Every penny donated goes to a wonderful children’s organization, Cradles to Crayons. So parents get a great holiday card, their kids get a little “star treatment” and a less-fortunate child gets warm clothes for Winter. Two birds, one stone.

What one parent said: “We take so so many pictures of our little ones. Volumes of wobbly walks, and greenpea-covered faces, and early soccer games and dance recitals. Babies become toddlers, enter the school-age shuffle and then adolescence. We document less, the proms and big games for sure, but not the day to day oohs and ahhs anymore. I took my 1st grader and his BIG brother and sister—heck, one was officially a 19 year old adult!—to the Two Birds fundraiser. At the time I thought they were perhaps “too old” for a holiday portrait. Two out of three of them certainly thought so. I almost didn’t bid.

In front of Kim’s lens 19 year old Luke, 14 year old Sydney and 6 year old Rio’s genuine love for each other was palpable. Kim brought out and captured all their pure unadulterated silliness, their joy in brotherhood and sisterhood. A young man with a boyish grin and adult chin, a big sister in the “I’m so beautiful and have no idea” phase, plus a little brother reveling in the attention of his two idols. If I had known then what I know now I would have bid $10,000.

“I lost my big beautiful son to an accident a few months ago. Those photos are now an immense immeasurable family treasure.”

WHAT YOU GIVE:
• A much-needed, much-appreciated donation to a wonderful kids charity. $150 will give winter clothes, boots, books and toys to six kids. 6 kids! Click on the Boston Cradles to Crayons link.

WHAT YOU GET:
• A photoshoot for your children on Saturday, November 3rd, with Kim Lowe, a commercial-editorial photographer specializing in kids.
http://kimlowe.com/
• Star treatment from Boston’s top wardrobe stylists and hair-makeup artists.
• A warm tickley feeling in your belly knowing you’ve done something wonderful for those who need it most this holiday season.

WHAT TO DO NEXT:
• Bidding begins Oct. 15th so please check back here or email Kim at kim@kimlowe.com with questions. More information to come in October.

Follow this link to see a behind the scenes video from 2010 + 2011’s fundraiser.

Place your bid here starting on October 15, 2012.

Check out Cradles to Crayons website to donate coats here.

View more of Photographer Kim Lowe’s work on her Website and Altpick page.

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Zave Smith Builds A Bon Fire

A few years ago Joe Lombardo was hosting a party. He an invited dozens of photographers to show off their portfolios to a large group of invited art buyers.  His partner in crime Vince Nelson asked me if I would bring a camera and take a few pictures at the event.

“No way”, was the first thought that came to mind.  No way was I going to be the guy walking around a party with a flash on a camera.  It is not what I do.

This event was held in Noho Studios and I thought while I had no interest in covering the event; I thought it would be a blast to shoot portraits of all of the creative characters that would be at an exhibition like this.  My camera has a built in wifi and I thought that not only could I set up some real portrait lighting on Noho’s sweep, I could project the portraits in real time as I was shooting them onto the studios walls.  Suddenly instead of covering the event, I became part of the event.

The pictures which I titled the “New York Portrait Project” were posted on my website and blog.  They created quite a sensation among the very people who I wanted to reach out to.

Two years past and I heard that the Art Directors Club of Philadelphia was holding an outdoor concert and party at Philadelphia’s Piazza.  I decided to set up a portrait studio in the middle of the Piazza and do to Philly what I did in NYC.  This time though I decided to shoot both motion and stills of the creative types who paraded in front of my camera.  This second time not only did I create a web gallery of the portraits, but I edited both the stills and video into a 90 second movie, which I also posted to my website.

This short was very well received.  Within three months I was hired to shoot a major pharmaceutical campaign by one of the Creative Directors whose portrait was part of the Philly project.  I was also hired to shoot and create a 60 second commercial for Louisiana Tourism that was shown at this years “Essence Fest” in New Orleans.  There have been several additional projects that came directly out of and were inspired by both the New York and Philadelphia portraits.

In this era of caller ID and email blocking it is harder and harder for free-lancers to connect to the very people who might need us.  I believe that waiting and praying for the phone to ring is not very interesting.  One of our jobs as creative’s is maximize opportunity to create the buzz that getting exposure requires.  If you are feeling cold, go out and make a fire.

See more of Zave Smith’s photography here and his Philadelphia video here.

Also, check out out Zave’s Altpick page.

Go Build A Bon Fire.

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Tadd Myers Adds ‘The Grammys’ To The American Craftsman Series

Photographer, Tadd Myers was inspired by his father, Landis Wilson Myers, to document and tell the story of the American Craftsman.  His father worked as a wood worker, home builder, metal worker, guitar player, printing pressman, baseball player and self-made business man.  “My father loved working with his hands and would have felt a very deep connection to this project.”  To continue, Tadd adds his 20th installment to the American Craftsman  series.  This time it’s John Billings of Billings Artworks in Ridgway, Colorado.  Mainly known for creating the beautiful sculpture for the music awards, The Grammy.

John Billings, ‘The Grammy Man” says, “Perfection is what we strive for, knowing full well it can’t be achieved.  Each Grammy we make has it’s own character, it’s own soul.  To see the joy in a Grammy Winner’s face is very humbling experience and you forget all of the burns, cuts and bruises.”

See more of Tadd’s American Craftman’s projects here and more of his photography on his Altpick page.

Also, check out Billings Artworks here.

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On Silk Stockings, Cigars and Turning 20

by Clare Ultimo

My favorite 20 year old is celebrating an amazing history of creativity and commitment this year. And while I do know a lot of 20-year-olds, I’m talking about The Alternative Pick, the place to find edgy photographers, illustrators, multimedia and design since 1992. AltPick.com went live in 1995.

It’s bit of graphic design history in the making, you might say. AltPick has been attracting the freshest talent in the business from the start of its youthful life. Founder Maria Ragusa wanted this to be the cornerstone of their existence and it was. Back in the day, if an illustrator, photographer, or designer for example, wanted to let an art director or editor know they were around, outside of going door to door with a portfolio, there weren’t many options to choose from. The big and beautiful “Black Book”(where Maria cut her teeth in the business for 13 years) was a coveted and expensive venue for any new kid on the block but it was one of the more effective ways to “be seen” at the time. I remember finding it in the offices of Art Directors and Creative Directors, on their desk or hanging out on their bookshelf; it was a necessary tool of the trade. After all, this was a time when books and stuff on paper were our main source of staying connected!

The first edition of the Alternative Pick book was square, (8″ x 8″) full color, gorgeous and glossy. And my brand new design studio could actually afford a full page spread in it! That was another thing Maria wanted to offer fledgling groups like mine – an affordable option to advertise our work. Warner Music saw my spread that year and kept my studio busy for quite a while! The book’s reputation quickly became one that looked ahead to where our profession was going and I think in the 20 years they’ve been around, AltPick never looked back!

AltPick is a large interactive online community now, with friends and members around the world. The AltPick Card Deck is a unique way Maria likes to connect artists and art buyers beyond cyberspace every year. And I love cards. They are always playful. They don’t take up too much space on your desk and these of course, give us an enticing peek into our constantly changing creative world. So you can imagine I was pretty thrilled when Maria asked me to design the packaging this year.

“Think magic”, she said. A big concept that is purposely mysterious and generally unexplainable. Like sex, I thought! The 2012 package began to take shape in my head in a place where black silk stockings and an exotic cigar are having a drink. Dramatic color, historic references (the backs of old fashioned playing cards with gold gilt edges) and a whimsical “A P” – all aiming to look like they were having fun and belonged together. And of course, all of it in the service of providing a suitable home for the wonderful artwork inside the box! Please see the website below and get yourself a deck!

Maria is always looking for the connections that we have yet to find as artists (and as people too), encouraging the AltPick community to do the same, and I guess that was the biggest inspiration of all for me when I designed the deck. The attraction that the AltPick audience has had over these 20 years to what is not yet labeled or categorized is encouraging to me as a creative. Still figuring it out, still bringing the unexpected together, still surprising us after all this time…Happy Birthday baby!

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Website: www.altpick.com
Click here to check out Ultimo AltPick ads through the years

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Brian Cummings’ Fairy Fatales : : Unhappily Ever After

Imagine that the sweet, beautiful, angelic protagonist of your favorite childhood fairy tale were actually a dangerous seductress, capable of heinous, deceitful acts and unforgivable cruelty towards fictional talking animals in pants and crowns. Need some help? Leave it to Brian Cummings, sick and demented individual that he is, to spark your imagination.

In a photo series that has come to be known as “Fairy Fatales,” Brian has created visual narratives telling the other side of the story, and unforgivingly implying twisted alternate endings to our favorite traditional tales. Maybe the slimy green frog’s destiny is NOT to receive a kiss from the princess, living happily ever after as a handsome prince. Maybe he’d be better suited quartered and simmering in a golden broth as the first course?

Rapunzel just wasn’t ready for a long-term relationship.

Also, wouldn’t Papa Bear make a FABULOUS rug for Goldilocks’s new cabin? This is a series that is sure to delight (and perhaps disturb) children and adults of all ages!

To see more of Brian Cummings photography go to his website and his Altpick page.

 

The End.

Sleep tight. Don’t let the bed bugs bite. Because they will.

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Jeff Hester : : Of Wine, Spirits, Food and Music

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Multi-talented designer, Jeff Hester, specializes in packaging for the wine, spirits, luxury food, and music industries.  In addition, he is also an illustrator and works magic with typography.  Altpick Connects had the pleasure of talking with Jeff about one of his many disciplines: designing wine labels.

You have many remarkable wine label designs, all-different, yet each captures each of the wines’ distinctive tastes.  

Often I am asked if the label reflects the taste or flavor profile of the wine, but I have yet to work on a single project where there is any direct flavor queue in the branding. Wine labels usually function to support the brand messaging and tell the story of the winemaker or where the grapes are from. Most wine brands have multiple varietals, or kinds of wine, and since a Chardonnay tastes completely different from a Cabernet Sauvignon, it would be impossible to convey both flavor profiles in a single logo. To make it easier for consumers to find the varietal they want on shelf most brands color code the capsules, but the color does not reflect the taste of the wine. For example, blue is the most common color for Merlot, but what flavor does blue represent?

Copyright Jeff Hester

Was designing wine label something that you pursued or did it come to you organically?

I had never considered being a wine label designer, it happened organically. I began my career in Los Angeles working for Capitol Records, though file sharing eventually killed the industry and made it harder to find work. I began designing marketing materials for TV and film, but they too were reeling from the loss of ad revenue caused by new DVR technology, which allowed viewers to fast forward through commercials. I had always admired the work of CF Napa, a studio in Northern California who designed modern wine labels and good logos. On a whim I sent my resume and the next thing I knew I was driving a U-haul up Interstate 5 to the Bay Area. I worked for CF Napa for almost four years–I learned a lot there, and made some good friends at the studio.

Do you appreciate wine and are you familiar with the different types of wine and what to expect?

I love wine and I have tried just about everything. Based on the varietal and where it is grown, I have a pretty good idea what to expect. If you are an inexperienced wine consumer, don’t be afraid to ask the wine clerk questions. They have tried the wines and know what is good. Don’t be intimidated–tell them what you want to spend, and what you’re going to eat or not eat with the wine, and take notes. People have a misconception that wine has to be expensive to be good. The large wine groups are producing high quality wine at a reasonable cost, and there are mom and pop producers making wines of good value too.

Do you work directly with the winery on the designs or with an advertising agency?

I usually work directly with the winery, but I have worked with some other design studios as well.

Tell us little about the ‘Fuse’ bottle design.  Love the  type and the simple design.  Was this label heavily art directed by the client or was it your concept?

I designed Fuse while at CF Napa. Fuse was easy to design; the client wanted something very modern with a lot of shelf impact. The wine is a blend of a couple varietals, so the client wanted the label to be graphically fused together. Initially my Creative Director did not like the design, I had to fight to have it included in the presentation. The client was thrilled with the presentation, and picked the label right away.

I finessed the type, and worked on getting the textures just right, and soon it was on press. The client came back shortly thereafter and picked another one of my designs from the same presentation to turn into Trim. The Trim design was my Creative Director’s favorite design from the presentation.

Are you involved in just the label or can you have input on the actual bottle design as in ‘High Roller’ Vodka bottle?

For wine projects it is almost always a stock bottle, but for High Roller I designed the structure as well. Most people use stock bottles because it is very expensive to produce custom glass, especially if it is going to be manufactured by a company that will do it right.

Were you trained in type design or are you self-taught?

I took one type class in college, but I did not learn much. The majority came from reading a lot of typography books and a lot of practice. Type is strange; some days I know exactly what to do, and other days I can’t set type to save my life. I love to draw custom type when I have time, but it’s a luxury when I am on a tight deadline.

What would you say was your favorite label and which project was your best?

My favorite wine label is designer Michael Vanderbyl‘s Scarecrow.  It is so modern, yet so classic, and has a calm confidence. My best project is probably High Roller Vodka; it’s a custom bottle and custom type. It’s not often you have so much input.

Thank you Jeff for sharing your story and giving us a little insight on the world of the wine and design!

Thank you for including me on your blog. I hope to have lots more beautiful work to share with you in the future.

We look forward to it!

See more of Jeff Hester work on his website and Altpick.com page.

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Artist Hugh Syme : : 36-Year Collaboration : : What A Rush

Our artist Hugh Syme recently completed a fantastic collaboration with Canadian rock band, Rush. Hugh is responsible for the cover art on their newest (and nineteenth!) album, Clockwork Angels (2012), as well as the images inside the album’s accompanying novel, and the cover art for Rush’s subsequent tour book.

In fact, Hugh is responsible for most of the band’s artwork over the last 36 years, since he’s the band’s art director, designer, illustrator, and principal image maker. This partnership between the visual arts and music has proven the importance of interdisciplinary collaboration.

Hugh’s work with Rush began in 1975 with the cover for Caress of Steel (1975). But his most iconic contribution may be the band’s logo–the “Starman” emblem–which Rush fans adopted after its original appearance on the 2112 album (1976). Hugh has also created cover art for Aerosmith, Megadeth, Styx, Def Leppard, Dream Theater, Celine Dion, Bon Jovie, Iron Maiden, and Queensrÿche, but he is forever associated with Rush’s epic sagas.

Hugh’s work on Clockwork Angels began nearly two years ago, after Rush recorded their first two songs for the album. The band immediately began the Time Machine tour in 2010, during which they leaked these two songs, “BU2B – Brought Up to Believe” and “Caravan.” But the remainder of the album remained unwritten, unrehearsed, and unrecorded for nearly a year. When the Time Machine tour entered its second phase in 2011, Hugh began to delve deeply into the concepts for the album’s packaging.

Originally, Hugh and Rush drummer Neil Peart wanted Clockwork Angels‘ cover to be urban and edgy, so they drew inspiration from the British tag/graffiti artist Banksy. But as time passed, the tone and imagery for the album developed and took on a life of its own. Still liking the original art, Hugh and Neil decided to use it for the cover of the tour book, which accompanies what one might call the third part of the Time Machine tour: their much anticipated upcoming Clockwork Angels tour in September, 2012.

Now, Hugh’s redesigned, reimagined work can be seen on Clockwork Angels album cover and on/in its accompanying book. The album debuted at #1 in Canada and at #2 on the Billboard 200 chart. Neil Peart recently released an essay describing the band’s process and illuminating the partnership with Hugh in particular:

So once again, collaboration proves joyful, and elevates the art. This project has been sparked by many sources of flint and steel, and one quality shared by everyone involved might be called ‘a fevered imagination.’ That temperament, burning slightly hotter than what passes for ‘normal,’ also describes art director Hugh Syme—who is serving a life sentence as my graphic arts collaborator. Hugh brings his own febrile dreams to the Vision Quest, and whatever I can visualize, he can realize. The two-year (literally elephantine) gestation period of this album allowed Hugh time to generate a series of beautifully evocative paintings to accompany the story—the words and music.”

We are so proud to have supported Hugh throughout his lifelong collaboration with Rush. We anticipate many more wonderful things from Hugh and Rush, and we can’t wait to see, hear, and experience them all!

–As published on Mendola Artists’ Blog.

CLICK HERE for more of Hugh’s work and check out his Altpick page.

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Zave Smith’s “Kelica”

Voices In My Head                                                                                                                             by Zave Smith

We photographers have a funny life.  Few of us have assignments everyday. What I am starting to understand is how we spend our non-assignment hours defines us as photographers almost as much as the pictures we make.

So how do we spend our “off” hours?  Do we endlessly fiddle with our images in Photoshop?  Do we spend our off time on the phone, sending emails and engaging in heavy-duty marketing?  Are we constantly shooting, testing or trying new things between our paid gigs? Or have we perfected the means of self-justified time waste like cruising the social media or watching a 40-part mini-series about art on Netflix?

I believe that the more successful among us divide the majority of our off time between marketing and creating new images.  My feeling is, why not shoot? I did not become a photographer because I want to play video games.

This series, “Kelica”, was not really planned.  Kelica is a woman who I have photographed before.  After our last shoot I had dropped her off at her apartment.  I noticed that she had a lot of artwork on her walls where she is the subject.  I knew then that I wanted to shoot a portrait of her, just being there, in the midst of images of herself.

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The rest of the images just flowed over the next two hours of visual play.  This is my practice.  I start with one or two ideas and then see what happens.  For testing, I often work alone with no assistants or stylists to distract me.

My goal is to get deep inside my visual head and see what happens.  This is a lot harder than it sounds.  We live in world of many distractions and constant worry.  It is very hard to let go, to be present, to let your artist side play without your critical telling yourself that you should be doing something different- right now!

But, if I were the type of person who listened closely to the voices in my head, I would be in a different line of work.

–Zave Smith

To see more of Zave Smith’s work go to his website and Altpick page.

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Kevin Steele :: Sheds Some Light

2012 Kevin Steele

Early on photography was Kevin Steele’s tool for documenting the world of rock and ice climbing.   He was passionate about sharing those adventures and shedding light on the experiences that words alone could not do justice.

For Kevin it’s about telling a visual story, whether it’s a still photograph or motion.

2012 Kevin Steele

What inspires a man who can hang on a rock with a $10,000 camera and hold it steady?  To begin with, it starts with black coffee…Running mountain trails… Beautiful light…Good people with good attitudes…Creative challenges…Constraints…Telling someone’s story …Lines, shapes and forms…Seeing something new…Seeing something different…People with passion…

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Don’t we all want to be like Kevin Steele?

Check out Kevin’s work on his website and Altpick page.

Kevin was also part of The 20th Alternative Pick Anniversary Edition :: Deck

2012 Kevin Steele

2012 Kevin Steele

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