Christoph Martin Schmid’s ‘Trouble in Paradise’

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A true globalist, Christoph Martin Schmid has worked successfully in film and photography all over the world. His passion for conceptual storytelling and carefully crafted imagery led to the unique visual style that characterises his work.  Now with his new book out, “Trouble in Paradise”, Christoph gives Altpick a little insight on his fascination with human nature and storytelling.

AP: Christoph, how did “Trouble in Paradise” come about? Are any of the photos based on real life experiences?

CMS: I specialize in conceptual photographic storytelling and I am fascinated by human nature in all it’s comic absurdity. I do not sketch my stories from direct observation but draw from memories which I rearrange and put into new contexts to come up with the scenarios. So I guess you can say it is based on real life experiences.

AP: How do you begin the process of coming up with the idea for each image? Did you sketch it out first, brainstorm on the idea with a team or did you start with a simple idea that evolved on set or in post production?

CMS:  I work in conceptual series which set a theme for the images to be created. Once this theme is defined I think up the scenarios. I usually work on my own in this phase of sketching out the images.  Sometimes I bounce some of the ideas with friends, but usually that just results in people declaring me being mad, so it doesn’t help much to discuss the ideas before the shoot. But in post production I work closely with my post producer and we discuss how to design the image in a way that the message can be universally perceived.

AP: Where do you call home? Is it your ideal choice and why? Do you feel a city inspires your creativity?

CMS: I lead a somewhat nomadic lifestyle. The last couple of winters I have spent in Cape Town, which offers fantastic locations and production facilities. During summer I divide my time between New York and Berlin. This moving around between different worlds inspires my creativity. The ideas for the stories in the Trouble In Paradise book originated when my Berlin and New York influenced mindset collided with the locations and the postmodern Anglo-Saxon society present in Cape Town.

AP: Your images sometimes are humorous, does that tie into your personality? How would you describe yourself?

CMS: I am always up for a good laugh, rather looking at the bright side of life. But regarding the humor in my work: maybe humor is simply a funny way of being serious.

AP: I always love to ask people what is their favorite food, but more precisely what is their favorite food ingredient? I happen to like anything with garlic.

CMS: I like freshly ground black pepper and a really good and tasty olive oil as my favourite ingredients.

In the three conceptual chapters of Trouble in Paradise, Christoph presents his impressions of our postmodern society, dominated by the paradox of the self.  The individual striving for perfection in an imperfect world.  Christoph staged situations showing the subject engaging in ambitious endeavours, which Christoph manages to capture the emotional tension in his work while maintaining a sense of lightheartedness and ease.  Trouble in Paradise is now available on Amazon.

To see more of Christoph Martin Schmid’s work go to his website and Altpick page.

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ICON8 “Work & Play” Poster by Creative Director Paul Buckley

ICON8_poster_final.inddPaul Buckley, Vice President, Executive Creative Director at Penguin Books is no stranger to the ICON Conference.   He graced the ICON7 stage as part of the Art Directors We Love panel.  ICON managed to sweet talk Paul into the position as  Conference Designers and happily he agreed and designed this spectacular alternative poster for ICON8.  Look deep into the eight.  You will discover amazing things.  Seriously, what’s not to love about that?

Stay tuned for a blog post on Carson Ellis who created the art for the second side of  the “Work & Play” ICON8 poster.

ICON8 is scheduled for July 10-July 12,  2014 at the Portland Art Museum in Oregon.  To register at the early rate, click here.

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“Why do these people smile?”

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by Scott Lowden

1050 Ponce De Leon Place is a famous – some would say notorious – old apartment building in my neighborhood in Atlanta GA. The folks in 1050 are Section 8 which refers to the Housing Act of 1937 providing housing subsidies for low income Americans. I’ve lived here since 1992, and have seen many characters come and go from that building. I’ve also met some amazing people. One of the more surprising things I’ve noticed over the years is that many in this community are always smiling. I finally got the nerve to investigate. My idea was to get to know the people who lived at 1050 and ask them – why, with all that is against you, financially, physically – are you smiling a genuinely beautiful smile? And that was the beginning of my project.

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 This project focuses, in broader terms, on the happiness and contentment found in Americans that seem to have nothing to smile about. Particularly the older folks, the handicapped, and those dependent on government aid for help. At first glance, the people who live at 1050 Ponce De Leon Ave fit this description. To those more fortunate, while driving or walking by, it may seem that there is just sorrow and desperation living inside the hulking red brick apartment building. But, to every yin there is a yang. There is happiness found there, a bubbling up of the human spirit. Many of these amazing older folks are fighting battles with poverty or illness, yet they are truly happy individuals. They always seem to be smiling, and helping each other. To me this is a powerful project to catch on film because in their happiness we find ours. Smiles are contagious, and these people are wonderful. I’ve seen these folks impacting our neighborhood with their personalities, grins, and hugs since I moved to Poncey Highlands.

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While this project would seem to dictate a truly photojournalistic approach, I come to photography from an advertising background, where creating the scene as imagined is more important than truly documenting it. In my advertising work I lean toward capturing what exists but skewing it better, happier, snappier. In my fine art work I push documentary photography towards something a little more affected…in the direction I want the viewer to go. With that in mind I use available light, but supplement it with additional lighting. I use a photojournalist’s camera, but shift the color and values to create the message I want the viewer to take away. I document the entire scene, but edit the images towards the message I’m trying to communicate. While it would be dramatic to document their pain and bad days, I’m choosing to illustrate their happiness, their gratitude and their brilliant smiles.”

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To see more of Scott Lowden’s work go to his website and Altpick page.

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AltPICK’s Heroes :: This is What We Love

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Joel Holland, Oliver Wetter, BC Kagan to name a few have contributed some wonderful insights on our Altpick Connects blog.  Here we have a collection of the latest entries beginning with Joel Holland, The Letterer, Illustrator and Pizza Maker.   

Copyright Joel Holland

Copyright Joel Holland

German Artist and web citizen, Oliver Wetter, has visual appeal with attitude.  Check out his Skulls, Characters and Legends.

Copyright Oliver Wetter

Copyright Oliver Wetter

BC Kagan started her career documenting musicians in the 80s creating an iconic body of work. In her first submission, BC talks about her impression of Duran Duran and the New Romantics Era.

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Specializing in vector art and illustration, Teresanne Russell’s strong suit is creating graphics and maps.  “In Her Own Words” Teresanne talks about 4 important pieces in her portfolio.

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A skilled photographer can see from both sides of the lens.  Starting out in her career as a model, Shawn Ehlers, adds a lot of energy, her own unique point of view and solid technique to her images.   Shawn tells us a little about how she got to where she is now in “From Both Sides“.

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Eric Cassée’s recent assignment for TIME magazine was to photograph students using a new educational software tool that tracks students progress by Knewton, a New York based technology start-up.  Eric wanted to create a moodiness that dramatizes the interaction between the student and machine.  “Eric Cassée Goes Back to School” interview gives you some insight on his process and behind-the-scene experiences.

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Client-friendly and service oriented photographer, Ryan Ketterman, shares with us some of his favorite Summer 2013 imagery.

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Altpick thanks Eric Cassée, Shawn EhlersJoel Holland, BC Kagan, Ryan Ketterman, Teresanne Russell and Oliver Wetter for participating in Altpick Connects’ blog posts.

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Joel Holland, The Letterer, Illustrator and Pizza Maker

Joel Holland is a former point guard and current amateur pizza maker based in the East Village of New York.  He is also an illustrator/hand-letterer whose clients include The New York Times, Penguin Books, TIME, Pentagram UK, Weiden + Kennedy and many more.  His work has appeared on billboards, t-shirts, lampshades, a teepee and model’s butt.  In addition, he occasionally works as a masked model for random book jackets…Altpick Connects had the pleasure of talking with Joel about his favorite art form…

Altpick Connects: One of my favorite art forms is calligraphy and lettering.  Tell us a little about why you do this for a living.

Joel Holland:  Me too!!! I love that it’s style and concept based at the same time.  There’s a lot of freedom and pressure to push yourself to reinvent.  I started working on book jackets so my work is rooted in connecting the way it looks to the content.  It’s just what I feel most happy doing.  In addition to hanging with my family, making pizza and playing basketball…

AC:  Does a letterer need to also be a designer?

JH: Nope, but it helps most of the time.  Sometimes it’s good to not know what you’re doing or what you’re supposed to do and just see what comes of it.  But overall, as a business, yes it helps pay the bills and saves a ton of time to know the rules and lingo.  I went to Towson University where for two and half years I was a business major and then switched to ‘visual communication’.  Although not a proper art school the program was diverse and taught printmaking to photography to design, etc, which helped me a lot.  I also had a few great professors that helped along the way.

AC:  Who are some of your favorite contemporaries in lettering? Who were your original mentors?

JH:  I like everything House Industries puts out.  They have an amazing way of seeming untucked and tucked in at the same time.  Paul Bacon’s work and Ed Gorey’s work for Anchor are up there as my biggest inspirations in the design field.  Otherwise, like everyone else, I love hand painted signage in all formats.  That’s skill set I’ll always aspire to.  Honest, ego-free, focused, fun.

AC:  You have worked on editorial, book, and advertising projects.  Which is your favorite type of assignment?

JH:  I love working on challenging gigs with energetic/smart people.  I’m lucky enough to have a variety of projects that keep me fresh for each one.  Earlier this week I was writing on talk bubbles for a photo shoot, then came home and worked on hand lettering for Mariano Rivera’s autobiography.

Honestly though, there are great things about each kind of job.  I love the restraints of a half page illo for a magazine and the freedom of coming up with ideas for a book jacket.

AC:  Where do you live and why?

JH:  I live in the East Village neighborhood in New York City on the SAME block as the great Katherine Streeter!  I’ve been in NYC for about 15 years, most of it was in Brooklyn. Moving into the city was exciting and is a big switch from what I realize now was a calmer borough.  I love the energy and the accessibility here.  I can walk my dog into a nearby store and get food for my daughter.  Not so bad.

To see more of Joel Holland’s work go to his website and his Altpick page.

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Illustrator Oliver Wetter :: Skulls, Characters and Legends

German artist and a web citizen, Oliver Wetter, creates worlds out of briefings, his solution oriented work attitude, leads to great visual appeal.  Here are some of his favorite images.

Copyright Oliver Wetter

Copyright Oliver Wetter

Copyright Oliver Wetter

Copyright Oliver Wetter

Copyright Oliver Wetter

Copyright Oliver Wetter

Oliver Wetter:
“The concept of Skull:z & Idols is the subject being skulls that resemble known icons, fictional characters and legends just as mortal renderings. With tongue in cheek this series makes proper use of self-publishing because every new addition to the series makes the book bigger and previous editions a rarity.”

The book is available here: http://www.blurb.de/b/4392536-skull-z-idols

To see more of Oliver’s work go to his website and Altpick page.

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BC Kagan :: 1980s New Romantics Era

duran-duran-copyedited-1Internationally published photographer, BC Kagan, is best known for her portraits of
emerging punk rock, new wave and alternative rock bands.  The long list of eminent bands and musicians she has photographed includes, among others: U2, Aerosmith, Phish, The Police, The Cars, Duran Duran, The Buzzcocks, The Jam, Red Hot Chili Peppers, Joe Strummer, Billy Idol and Iggy Pop.  BC looks back on her impressions of Duran Duran and of the photos she made with them.

by BC Kagan

I was not a big fan of the whole New Romantics thing when it arrived from England in the eighties.

Duran Duran were touring to support Planet Earth, their first album, when I met them. They gave me a copy of the record that day (I still have that copy)

When I listened to it for the first time, years later, I really liked it and was sorry I had dismissed them so readily.

Dismissed them musically, I mean. As people they seemed very nice and accomodating. Not every band gave me records.

I have long held regrets about missing the first US tour of Boy George due to a similar musical misjudgment.

Back to the Durans:

Posting this photo because whenever I look at it I have to admire the style efforts they made before they had the cash to be truly Romantic.

Simon in deck sneaks and very early model cargo pants.

A couple of them appear to be birdwatching in this photograph (sans binoculars).

To see more of BC Kagan’s photography go to her Altpick page and blog.

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Zave Smith Gives Back

A short, two minute video about Zave Smith’s work with Flashes of Hope.

To see more go to Zave’s website and Altpick page.

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Illustrator Teresanne Cossetta Russell :: In Her Own Words

Teresanne Russell specializes in vector art and adds illustrative skills to information graphics and maps. Teresanne tells us, in her own words, a little about her favorite images.

Screen shot 2013-08-29 at 4.13.27 PMIn her own words :: Teresanne Cossetta Russell

Out of a pool of well-known names in the industry, I was pleased to be chosen to be the illustrator for the 2011 IRS small business calendar. This was the cover illustration. The designer chose my style, with its bright colors and bold shapes, because the theme was sports.  She felt it had an “everyman” kind of appeal and would be approachable to everyone.

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Nothing makes me happier than an illustrated map project. This map was commissioned for the Official Washington DC Visitor’s Guide. They wanted to show a walking tour, things that a tourist can visit in one day.

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I was commissioned by Imagezoo to create a series called
“Festivals” and this was for: Kite festivals.

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Each scene was originally drawn separately but eventually I combined them
into one illustration. I like to use bright colors and white shapes. I
wanted to keep a youthful vibe for this “kids and technology”
illustration.

To see more of Teresanne Cossetta Russell’s work go to her website and Altpick page.

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Photographer Shawn Ehlers :: From Both Sides of the Lens

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Former Ford and Elite model, Shawn Ehlers, posed for many of the top fashion and beauty photographers, Helmut Newton, Albert Watson and Olivero Toscani to name a few.  During her 8 year stay in Europe working as a model, she also began shooting behind the scenes at some of the Giorgio Armani, Chanel, Gianni Versace and Gucci fashion shows.  She brings that experience to her advertising and editorial photography work.  Altpick had the pleasure of talking with Shawn about her career and her latest “Beach” series.Screen Shot 2013-08-28 at 8.34.33 AM

Altpick:  As a former model, how does that experience help you behind the camera?

Shawn Ehlers: The experience of being a model makes it easy for me to direct models whether they are seasoned or new to the business.  Modeling helped me understand how to create a beautiful image.  It is all about the angles, shapes, movement and lighting.

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AP:  Tell me a little about working with Helmut Newton.  Did you pick up any photography tips?

SE:  I learned so much from working with great photographers.  I was privy to their styling, lighting, equipment, direction and the details that go into having a successful shot.  It’s all about the details.  Helmut was perhaps the toughest of all of the photographers I worked with and perhaps because in his mind’s eye he saw the final product and expected you fully to deliver it.  He wanted energy in his photographs.  He shot with a very slow shutter speed and you were not allowed to breathe for a long period of time.  He is really one of the greatest photographers of all times.  I do use his lighting for my Polaroids.

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AP: What genre do you love to shoot best?

SE:  I love it all!  At the moment I really enjoy shooting Polaroids for my personal work and I am happy to shoot either lifestyle or fashion. There is a beauty to not knowing what you are going to get until the image appears on the film…yes film.  I love film!

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AP:  Your body of work covers kids to seniors.  Which is your favorite?

SE:  Anyone with a great personality and the ability to move with grace and energy.  People with a dance or martial arts background are amazing.

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AP:  How did the ‘beach’ series come about?

SE:  I wanted to create lifestyle photos with energy and movement.  I love the beach, it’s open and the perfect place to shoot.  You can run, jump and move freely.  The lighting can be harsh, filled in or backlit…or you can wait until the end of the day and get that ‘magical’ light.

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AP:  What motto do you live by?

SE:  Visualize the outcome, prepare well and follow through.

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Shawn Ehlers photographed by Helmut Newton

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Shawn Ehlers photographed by Helmut Newton

To see more of Shawn Ehlers’ work go to her website and Altpick page.

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